Screen Wallpapers Biography
Next came Minority Report, a sci-fi thriller from the pen of Philip K. Dick (screenplay by Frank Darabont of Shawshank Redemption fame), about future-cops who, with the aid of Pre-Cogs (weird, bald types who float in big tanks and see the future) can arrest criminals before they commit their crimes. Cruise played the head of Washington's Pre-Crime unit, who's himself accused and pursued by rival Colin Farrell. Adding Steven Spielberg to Tom's incredible list of directors, it was hugely inventive stuff, action-packed but still teeming with intelligence, Spielberg having got together some of the deepest minds in America to help build his future-world. It cost over $100 million yet, with Cruise attached (unlike Spielberg's relative failure A:I), it still made money.
For his next project, Cruise would step back in time with The Last Samurai. Here he was Nathan Algren, a US cavalryman and hero of the American civil war, who's invited to modernise the army of the Emperor of Japan, then under threat from the samurai warriors of a rebel leader. He agrees but, captured by the enemy, he learns and comes to respect their codes of honour (in return teaching their children baseball).
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Amar, Odiar, Perdonar.
Next came Minority Report, a sci-fi thriller from the pen of Philip K. Dick (screenplay by Frank Darabont of Shawshank Redemption fame), about future-cops who, with the aid of Pre-Cogs (weird, bald types who float in big tanks and see the future) can arrest criminals before they commit their crimes. Cruise played the head of Washington's Pre-Crime unit, who's himself accused and pursued by rival Colin Farrell. Adding Steven Spielberg to Tom's incredible list of directors, it was hugely inventive stuff, action-packed but still teeming with intelligence, Spielberg having got together some of the deepest minds in America to help build his future-world. It cost over $100 million yet, with Cruise attached (unlike Spielberg's relative failure A:I), it still made money.
For his next project, Cruise would step back in time with The Last Samurai. Here he was Nathan Algren, a US cavalryman and hero of the American civil war, who's invited to modernise the army of the Emperor of Japan, then under threat from the samurai warriors of a rebel leader. He agrees but, captured by the enemy, he learns and comes to respect their codes of honour (in return teaching their children baseball).
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I'm quietly judging you.
Frank mackey
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